Thursday, 28 April 2016

OUIL501 self evaluation

OUIL501 Self-evaluation

To begin on a positive note, I think in some aspects of CoP I have made great improvements on last year, especially regarding my written submission. The topic I chose to write about was so interesting to me that I really, really enjoyed the research period and think I managed to take a very thorough and balanced approach to this research, which I’m sure will put me in good stead for CoP3 next year. I definitely learned a lot about research, and feel I am becoming more confident in being able to draw connections between different texts and schools of thought that may not be apparent at first. I’m glad that I managed to find a topic to write about that was not directly related to illustration, as I feel that this discipline can feel too inward looking, but that was still related to me via the broader field of the visual arts.
Although I think I am starting to get my head around how CoP works, in truth I still feel
a strong disconnect between the written and practical sides of the module. I really struggled to make
visual documentation throughout the first half of the year. In fact, it was only really when I had a
fully formed essay that I felt able to start making practical work. I found it very hard to balance the
acts of writing and researching with drawing, the two parts are not working together for me yet.
Perhaps this is just an example of poor time management skills, and I realise I will have to improve
upon this next year.  My main concern about moving forward into CoP 3 is that I have not made
sufficient progress in synthesising the two halves of the module. At least I know that this is an issue I
have, and so I will be prepared to ask for help and perhaps try and find new ways to approach work
if I suspect. Hopefully the more regular 1-1 tutor contact for CoP 3 will help keep me on track.

Although the consistency of my practical output during this module was poor, I am actually very
pleased with my final practical outcome. Once I hit upon the idea everything else – the content, the
aesthetics – fell into place very organically and (to me) justifiably. It is hard to comment on how
different my outcome would be had I been more diligent in sketchbooking etc, because I think my
outcome is effective. It may be simple, but it is considered, and fun, (I hope) an interesting response
to an interesting topic. Successes in previous modules certainly helped me with the book format.

One thing that I have really struggled with in CoP this year is consistency. The ‘long & thin’ structure of the module, with fewer classes spread more thinly across the year has meant that all too often I’ve been getting to stressed out and busy with other modules and that CoP has been shelved, in favour of other things that have seemed more urgent at that moment in time. I realise that this is completely the wrong way to approach CoP, and means that I have lost out on the opportunity to build on the time management skills that I will inevitably need next year.

Although it has been tough at times, I’m still proud of the work I have done for CoP this year. There is still a lot I need to accomplish in terms of really getting my head around how the module works as a whole, and I hope to be able to move forward by getting really stuck into both research and visual investigation over the summer; I am determined to have a good head start by the time we come back in September. My main aim for CoP 3 is to start managing a cohesive body of work, which fits together under an overarching question, rather than two distinctive ‘written’ and ‘practical’ elements. Both parts of my work need to be feeding off of each other, in a way that is almost cyclical.  The successes that I had in researching my topic this year mean that I am actually looking forward to beginning research for my dissertation, and the trouble I had with my practical work is making me more determined to smooth this problem out next year, and move forward successfully.



Monday, 25 April 2016

making the book part 2 + book evaluation

Assembling the concertina itself was easy, and I think I have done a tidy and satisfactory job of it. Obviously hinging separate spreads rather than printing on the roll always leaves slight gaps between the leaves, but I think I have managed to minimise this and it is of little to no detriment to the final piece



Book evaluation

Overall I am really pleased with my finished publication! Much for satisfied than I was expecting to be earlier on in the module. I think it was definitely the right decision to paint all the chairs individually rather than just duplicate the one image, as different painterly tones bring slight sophistication to what is otherwise quite a minimal and playful design. Originally I was worried that the mass of negative space would leave the whole thing looking a little bit 'floaty' (as this was mentioned in the final peer feedback session), but now I have all the characters and type in place, and have been able to experiment with different sizes and proportions, I think it actually just looks quite clean and slick.

Making the book pt 1

Luckily I've had quite a bit of practice at making books now, after the Thought Bubble zine and 504 so I didn't feel too daunted at this! Decided to make a simple concertina book out of double page spreads and to then just make hinges to put the book together. This is how I approached my concertina for 504 and it worked really well, so I was confident approaching this. Also after Mike Flower's software workshops last week I am starting to feel more confident using InDesign, which is a skill that will stand me in good stead in the future.





When choosing what type to use in my book, I knew I was after something clean and slick; this would be reminiscent of the style of gallery labels, and also provide a nice contrast for those pages where I used my own hand rendered type. 






Sunday, 24 April 2016

Book final artwork progress

I think these are my two favourite pages of final artwork, both form a visual and conceptual point of view. Using cut paper for the figures adds an interesting visual dimension to the work. Also, I think using collage to represent both 'performance' and 'participatory' art is quite a neat way or summarising how interactive both these art forms are.